HBO’s Enlightened as a tragicomedy.
I started watching Enlightened
after it got this
hearty endorsement from Chuck Klosterman. In four paragraphs, Mr. Klosterman said Enlightened was:
·
Better than The
Office.
·
The best show on TV.
·
Sure to be cancelled.
I trust Klosterman, (after all, he is The
Ethicist) and am absolutely obsessed with the American version of The Office. So I watched the first episode of Enlightened, and I was very surprised by
what I saw. Enlightened was not better than The
Office, and it was certainly not the best show on TV, (2011 gave us season
two of Boardwalk Empire). On the third point, I agreed with Mr.
Klosterman, I did not see a bright future for Enlightened.
Enlightened was
renewed for a second season, and I surprised myself by tuning in. I think a large part of my loyalty had
to do with the show being one of two comedies that Home Box Office Network
brought back last year. I
understood the renewal of Girls, the
first season was fantastic, and the buzz surrounding the series was
unreal.
But HBO is notoriously tough on comedies. Bored
to Death was an incredible show that was given the ax when its creator, Jonathan Ames, misjudged
his viewing audience’s familiarity with the structure of hard-boiled detective fiction. How
to Make it in America was another great one; a boilerplate situation comedy
with likeable characters, and carefully structured plotlines that always left
me hungry for more.
Executive producer Mark Wahlberg was reportedly very
surprised when HBO passed on a 3rd season of HTMIA, (as was I, Cam Calderon had just gotten his own apartment)
but with the renewal of Enlightened,
the no-go on Mr. Wahlberg’s project makes sense. How to make it in
America is literally the antithesis of Enlightened,
if the latter show pushes the envelope, the former strains to keep
correspondence in the mail slot.
There is nothing like Enlightened
on T.V. On the other hand, add a
laugh track to How To Make it In America,
and you have an episode of Martin.
We are in the midst of a golden age of television. Certainly timelines vary, but I would
argue that this golden age began when season one of The Office got weird in 2005. The bone-dry mocumentry was a huge
hit on prime time TV, and I believe the show gave television executives a
little incentive to experiment.
Even with the increased incentives, and even on subscription
cable channels, bold The Office like
gambles have been few and far between.
Off the top of my head, (but try as I may, I don’t watch everything. Please
add to this list if I’m missing something.) the only real television experiments that I
can think of are the gritty portrait of a mainstream Polygamist in Big Love, the rabid dog off his chain
insanity of Breaking Bad, and the go
fuck yourself domestic terrorist plot twists of Homeland.
Enlightened is
something else entirely. Though
they deal with difficult subject matter, Breaking
Bad, Big Love, and Homeland are a lot of fun to watch. Enlightened
is not fun to watch. Not even a
little.
Does this mean that Enlightened
is a bad show? That depends on how
you view television. If television
is pure entertainment, then Enlightened
failed, and the show is a throwaway.
If television is art, then Enlightened
isn’t good or bad, it’s “difficult,” or “challenging.”
If television is art, Enlightened
is genus.
Every episode of Enlightened
is well written, the acting is skillful, the editing and cinematography continually
impress me, and the show is heart wrenchingly, devastatingly sad. Like Updike’s Rabbit Redux, or this years French masterpiece Rust and Bone, Enlightened
is finely crafted, hard to get through, and historically important to an
artistic medium.
That doesn’t mean that Enlightened
gets off scot-free. If everything
that’s right about Enlightened advances
television as an artistic medium, then the show’s glaring flaw will undoubtedly
result in a failed campaign for a third season. Amy Jellicoe is THE WORST protagonist in the history of modern
story telling. In an earlier
blog, I branded Jimmy
McNulty with this label, because his actions we’re incomprehensible. Now, I’m willing to concede that
McNulty was insane, and only cared about getting drunk. I’m ready to focus
all of my hate on Ms. Jellicoe.
Perhaps this is part of the shows genius, (I hated Marissa
on The O.C. too) but Amy is exactly
the wrong combination of ignorant, idealistic, conniving, and
self-righteous. Though by no means
a picnic, the three most enjoyable episodes of Enlightened were (from best to worst) the show that focused on
Levi, the show that focused on Tyler, and the show that focused on Helen (Amy’s
mother).
The biggest complement I can give the show is the biggest
indictment of Amy as a protagonist, I would have loved to see an episode that
focused on Dougie.
I felt no satisfaction when (SPOILER ALLERT) Robert Szidon dressed down Amy in the series finale (don’t kid yourself, that was the last episode). I truly hope the title of this show, Enlightened, is an ironic one, but I am completely certain there will be no third season to tell us if any good came of Ms. Jellico’s jihad.
I felt no satisfaction when (SPOILER ALLERT) Robert Szidon dressed down Amy in the series finale (don’t kid yourself, that was the last episode). I truly hope the title of this show, Enlightened, is an ironic one, but I am completely certain there will be no third season to tell us if any good came of Ms. Jellico’s jihad.
So, is Enlightened
the best show on television?
Absolutely not. (Breaking Bad
in a landslide, I’d also draft Mad Men,
and Boardwalk Empire before the
series, but I would put Enlightened
ahead of Homeland after the (SPOILER
ALLERT) pacemaker plotline in season 2, and, baring a HUGE turnaround in the
last four episodes of this season, Girls.)
Is Enlightened the
most important show on television? Yes.
Undoubtedly, the answer is yes.


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